
Venue:
Description:
Director: Kim Ki-young
Runtime: 98 minutes
Country: South Korea
Language: Korean (with English subtitles)
Rating: M18 (Sexual Scenes)
Full Synopsis
On a chicken farm, a love triangle is drawn between a composer, his wife, and a young girl from the countryside. Through a series of twists and turns, their lives are thrown into turmoil when the new housemaid transforms into a femme fatale.
Woman of Fire is a remake of Kim Ki-young’s classic The Housemaid (1960), stylised with the energy and passion of 1970s Korean cinema. A highly lurid chamber drama set against the backdrop of social inequality, the two women play games of seduction and trickery, ultimately descending together with the household’s male figure. Grotesque melodrama sits at the heart of this film, encapsulating the fatality and futility of women’s roles in the domestic horror genre.
* The screening of this film is supported by the Korean Film Archive (KOFA).
Please check the main Reframe: Fatal & Fallen programme page for more showtimes.
Oldham Theatre’s opening hours
Friends of AFA members may select the “Friends of AFA” option and enter your membership number if you wish to redeem your remaining complimentary tickets.
For further assistance, please contact us at ticketing@asianfilmarchive.org
Important Notice:
Do note that Oldham Theatre does not play ads and screenings will start promptly. Arrive early so as not to disrupt the screenings. All patrons are encouraged to purchase your tickets online to be able to secure a seat. Seats are limited due to social distancing regulations. If you choose to purchase tickets or merchandise at Oldham Theatre’s box office, cashless payment is preferred.
Measures will be taken to ensure the health and safety of all patrons at Oldham Theatre. This includes wearing a mask at all times for both staff and patrons, temperature taking, TraceTogether logging and observance of social distancing around the theatre. Doors will open 20 minutes before showtime, so arrive early to register and find a seat.
—