Rotting fruit: The rat race built on erased knowledge
By Mysara Aljaru We have been taught from a young age to place our value on achievements. Every award ceremony, tuition class and examination, […]
By Mysara Aljaru We have been taught from a young age to place our value on achievements. Every award ceremony, tuition class and examination, […]
by Goh Yu Ke The period of time between coming-of-age and the end of an age is long, but the experience of either is […]
by Sheryl Gwee What does it mean to live in a body? To brush up against other bodies, knowing that flesh is at once […]
by Sasha Han In this discussion of the animations A Short Walk (2022), The Last Stop (2022) and Traffic Light (2021), I begin by […]
by Krystelle Teh How do the spaces we inhabit speak through us? In two films from the Singapore Shorts ‘22 selection, Last Call by […]
by Ivan Chin How much do the places we live in, and the people we live with shape us? Three films—Holding Space, Back to […]
by Jolie Fan Rather than being a proud and self-confident nation, Singapore exists only through psychosis, as an existentially anxious nation (that awaits the […]
by Deepagcharan Presented by the Asian Film Archive (AFA), Singapore Shorts ‘22 expands on the lexicon of a short film by providing a diverse […]
by Jamie Lee Kanina, her chee never bleed before meh? Turn on any local television drama, and what maternal archetypes do you see? You […]
by Diana Rahim In the current era of climate emergency, how can the visual medium be used to consider nature and the environment anew? […]