By Vithya Subramaniam ‘Don’t fall asleep ah’ my mother teased as I left to attend the 4-hour long screening of Reason (2018). Frankly, I […]

Inside and Outside the Frames of Money Has Four Legs by Myint Myat Thu Myanmar filmmakers, make sure your lighter is fine and well-fuelled […]

by Sonali Joshi Both cinema and architecture are spatial practices – they open up the viewer to the possibilities that lie within both art […]

On Three Films Set in Mindanao by Patrick F. Campos Place matters, but scale decides. —Erik Swyngedouw[1] At no time in Philippine cinema history […]

🎬 SUBMIT YOUR FILM: https://bit.ly/SGShorts21OpenCall After a brief hiatus Singapore Shorts is back!  An annual showcase organised by the Asian Film Archive to celebrate the […]

Part of Retrospective: Wong Kar Wai The original work is available for viewing and purchase at Oldham Theatre until 4 April 2021. Limited edition […]

by Kiki Fung A master of Japanese cinema on par with Ozu Yasujiro, Mizoguchi Kenji and Kurosawa Akira, Naruse Mikio (1905-1969) remains underappreciated outside […]

Part of Retrospective: Wong Kar Wai The original work is available for viewing and purchase at Oldham Theatre until 4 April 2021. Limited edition […]

March 2021 marks a year since  the launch of the  first issue of the digest in April 2020. What began as a mini project […]

by Matt Turner Film to remember the person near by.隣のひとを忘れないために Film to know the people far away.遠くのひとを知るために Film to understand and be understood.理解し、理解されるために Japanese […]