A young man jumps to his death from an HDB block and returns to it in spirit, only to encounter the struggles of three groups of its inhabitants. The first revolves around strait-laced Meng, who is in charge of his younger sister Trixie and brother Tee while their parents are away. Meng sets strict rules for his siblings and when they begin to rebel, Meng takes it upon himself to keep them in check. The second concerns the unhappily married couple of middle-aged hawker Ah Gu and his attractive Chinese bride Lili. Lili's expectations of Ah Gu providing her with a comfortable life are unfulfilled, and as a result she spurns his advances to start a family and goes out often, fuelling much jealousy on his part. The last group is San San and her mother, who incessantly chastises the single and overweight San San for her shortcomings. The mother compares her to Rachel, a successful lady whom she used to take care of and is the apple of her eye. When Rachel pays a visit, San San must come face-to-face with her inadequacy.

Eric Khoo put Singapore on the international film map with his first feature film Mee Pok Man (1995). His second feature 12 Storeys (1997) was the first Singaporean film to be invited officially to participate in the 50th Cannes Film Festival (1997). He has also produced and co-produced films such as the local comedy hit, Liang Po Po – The Movie (1999), and One Leg Kicking (2001), 15 (2003) directed by Royston Tan, and his third feature film, Be With Me which was selected as the opening film for the Directors' Fortnight Cannes 2005. His latest feature film, My Magic is selected for Cannes official selection main competition.

Ah Boy is a teenager whose days are scheduled around playing arcade games, riding his motorcycle, drinking and having fun with his delinquent friends. His self-indulgent lifestyle is further invigorated by his fantasies of being like a martial arts hero in comic books. In the midst of a brawl one day, he crosses paths with Ah Girl, a withdrawn and neglected daughter of a single mother. Consequently, Ah Boy and Ah Girl drift into a blissful romance. Their happiness is short-lived, for when Ah Boy's friend comes into possession of a pack of drugs, they are inadvertently embroiled in a gang tussle that threatens both their love relationship and lives.

Kelvin Tong

Best known for his award-winning 1999 kung-fu motorcycle movie, Eating Air, Kelvin Tong is a brand name in cutting-edge Singapore cinema. Named as the best Singapore movie to date in October 2003 by Singapore’s Mandarin national broadsheet, Lianhe Zaobao, Eating Air represented Singapore extensively in the international film-festival circuit.

His direction and original screenplay saw the Singapore movie winning The Young Cinema Award at the 2000 Singapore International Film Festival and the FIPRESCI prize at the 2000 Stockholm International Film Festival in has directed several other films such as Moveable Feast, The Maid, Love Story, Men in White and Rule #1.

Jasmine Ng

Having studied Film and Television at Tisch School of the Arts, New York University, Jasmine has worked on award -winning TV commercials and feature- length films with some of the best in the region, including local feature film 12 Storeys. After working with Kelvin Tong on Moveable Feast, Jasmine continue to co-write, co -direct, edit and produce the Singapore feature film, Eating Air with Kelvin.

As a creative director and executive producer with VHQ-TV, she has also created the award-winning Afterlife presented on Discovery Networks Asia and recently completed a documentary, Pink Paddlers.

A documentary centered on the lives of a group of men in Hong Kong who struggle with poverty and its attendant problems. Homeless FC tracks a year’s development in the life of the Dawn Football Team that was formed to rehabilitate recovering drug addicts, former gamblers, reforming alcoholics and ex-convicts. In the course of the tumultuous year, the men train with the hope of being selected to represent Hong Kong in the Homeless World Cup at Cape Town. Their experience motivates honest re-assessment of their lives and instills within them new fortitude to start afresh despite continuing adversities.

James Leong and Lynn Lee 
Amongst the burgeoning group of local documentarians that have debuted to critical success, James Leong and Lynn Lee are two of the key figures on the rising Singapore documentary circuit. Their feature-length documentaries have received nominations at celebrated film festivals including Paris, Berlin and Kuala Lumpur. Based in Asia, they have an interest in “finding unusual stories and telling them well” and have established themselves as documentarians dedicated to portraying the truth in a sensitive manner. Lynn was invited by the United Nations-backed Commission for Reception, Truth and Reconciliation to document the “Truth Hearings” and to help set up East Timor’s first national television station.

Three down on their luck friends face the perennial issue of financial woe. Chew Wan-Keong is a middle-aged white-collar worker who spends more than he can afford to, while Ong is a contractor who is up to his ears in debt. Rounding out the trio is Hui, a hapless waiter at a coffee-shop. When Chew is passed over for promotion in lieu of a new colleague, a chain of events is set off that pits his lack of educational qualifications against the newfangled economy's young, highly educated worker. Meanwhile, Ong borrows money from a loan shark, but becomes embroiled in trouble when he is unable to settle his debt. At the same time, Hui develops an infatuation with a customer at the coffee-shop, but discovers that his lack of financial clout makes courting her complicated. Together, the three friends must hatch a plan to rescue them from their pecuniary troubles.

Tay Teck Lock graduated with an honours degree in Chinese Studies from the National University of Singapore. He worked as a Channel 8 producer with the then-Television Corporation of Singapore (TCS) and left in 1994 to run his family's transporation business. Tay directed and was involved in the creative process of developing the characters and jokes of Money No Enough 1, Singapore's 1998 top grossing home-grown movie.

Perth is the journey into the heart of Harry Lee, a 51 year-old part-time security guard and taxi-driver. Dreaming of migrating to Perth, a paradise of tranquil in Harry’s mind, he unwittingly gets entangled in the underworld of Singapore’s flesh trade when he starts to ferry prostitutes to clients in order to fulfill his relocation plans. When he takes an unhealthy interest in a Vietnamese prostitute who looks like someone from his past, it awakens a desperate and dangerous attempt at personal redemption from past transgressions, which also fuels the impotent rage that eventually determines his fate.

Djinn commenced his film career as 2nd Assistant Director on acclaimed Hong Kong Director Yon Fan’s Bugis Street (1994). In 1998, he made the dark comedic short By The Dawn’s Early Rise which won him the Best Short Film at the Singapore International Film Festival and has since gained cult status. Djinn made Perth in 2004, which swept four awards at the Lyon Asian Film Festival including Best Film. The film was described as ‘the most coherent and authentic film to have ever come out of Singapore’. It also won the Best New Talent award at the inaugural Hong Kong Asian Film Festival. The film brought International recognition to Djinn and in 2005, he was asked to adjudicate at the prestigious LV Hawaii International Film Festival.

Encompassing two generations of the middle-class Loh family, Singapore Dreaming tracks the family's trials as its members chase their dreams. The son and the apple of his father's eye, Seng, returns from his studies in America to a devoted girlfriend and to family pressure to get married and make a name for himself. His sister, Mei, married to an emasculated husband and expecting, has never been able to let go of the parental neglect she feels she has suffered. Their parents, Poh Huat and Siew Luan, have over the years fallen into a routine of banal preoccupations - nagging and domestic chores on her part; fantasies about amassing material possessions on his. When the patriarch wins the lottery, everyone rests their hopes on the windfall delivering them from their struggles. They soon discover that their dreams remain elusive and that the pleasures derived from material wealth are as transitory as the possessions themselves.

Colin Goh and Woo Yen Yen are a husband-and-wife creative team who are award-winning filmmakers and multimedia producers. Founders of www.TalkingCock.com, they have directed and produced TalkingCock the Movie and eAhLong,com, which won the Special Achievement Award at the 2001 Singapore International Film Festival.

Their most recent feature film, Singapore Dreaming, became the first Singapore film to win three major international film awards: the Montblanc Screenwriters Award at the 2006 San Sebastian International Film Festival, the Audience Award for Narrative Feature at the 2007 Asian-American International Film Festival in New York, and the Best Asian/Middle Eastern Film Award at the prestigious Tokyo International Film Festival in 2007. In San Sebastian, Colin and Yen Yen were also nominated for the Altadis-New Directors Award, the world’s largest prize for new film directors.

Singapore GaGa is a documentary charting the quirkiness of the Singaporean aural landscape, presenting music and sounds that are forgotten or ignored. It consists of vignettes by a variety of people, including buskers, dialect newsreaders, harmonica players and the lady who voices the pre-recorded train announcements. While seemingly unrelated, these musical and spoken performances cumulatively provide audiences with a sense of life and history in Singapore.

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Pin Pin is a filmmaker born and living in Singapore who finds this island, its history and surrounds very interesting. Singapore GaGa a documentary about vernacular sounds of Singapore played to full houses at both the Singapore International Film Festival and at the Substation, and has been invited to Rotterdam International Film Festival and the Berlin House of World Cultures.

Her works have won more than twenty awards and nominations including a Student Academy Award and Discovery Channel’s First time Filmmaker award for Moving House. They have screened in Cannes, Seoul and Arkansas. Her television credits include Afterlife, which won two Asian TV Awards, Crossings: John Woo for Discovery Channel Asia and Building Dreams for Singapore’s Arts Central.

Told in four parts, The Art of Flirting chronicles the stages of the romance between Leo and Lynn, from first encounter to its final outcome. They meet when Leo, an athlete, is interviewed by journalist Lynn. The mutual attraction between them leads to a series of dates, where in the process of exposing their most intimate details to one another, they fall in love. However, their relationship soon takes an unexpected turn.

One of Singapore’s new generation filmmakers, Kan’s debut feature The Art Of Flirting was made with US$150, used two non-actors, shot in two days and won Best ASEAN Feature at the Malaysian Video Awards 2005. His second feature, co-directed with Loo Zihan, Solos, was banned locally for its explicit homosexuality theme and was the first Singaporean film to compete at AFI Los Angeles and picked up the “Premio Nuovi Sguardi” Award at the Torino GLBT Film Festival.

A group of idealistic friends in their twenties struggle to fulfill their artistic dreams in pragmatic Singapore. Amongst them is Ah Jie and Shiyun, a couple who sing xinyao ballads together and dream of making a name for themselves in the music industry. Their relationship and aspirations are put to the test when Ah Jie's mother decides to migrate to America, and Ah Jie is faced with a choice between personal desires and filial obligation.

Yen loves to turn the impossible possible. She feeds on challenges, and can run on full steam overcoming one obstacle after another in a typical production cycle. She is a calm and sharp troubleshooter, and juggles numerous productions seamlessly but yet still keep her warm smile. Yen graduated from Film Production in New York University and broke the dormant feature film market with her directorial debut, The Road Less Travelled in 1996. Since then, she has produced and directed several feature films, telemovies and documentaries. With her strong foundation and vast experience in production, Yen oversees and manages all the productions at Oak 3 Films.

Cleopatra Wong, a beautiful and formidable female Interpol agent, is sent to investigate a crime syndicate's plot to manufacture and distribute copious amounts of counterfeit currency that will put the economies of the ASEAN region in jeopardy. Her search for leads brings her to various countries like Singapore, Hong Kong and Manila, where she finally discovers the location of the headquarters for these covert operations - within the premises of a Catholic monastery. Together with her trustworthy aides, Cleopatra attempts to storm the building and eventually succeeds, but not without encountering her share of loss.

Born in the Philippines, Roberto A. Suarez, commonly referred to as "Bobby" or "BAS", produced and directed Bionic Boy and They Call Her Cleopatra Wong, which served as the launching vehicle of the movie career of Miss Doris Young, whom Bobby gave the screen name – "Marrie Lee". Cleopatra Wong’s cult character so impressed a young Quentin Tarrantino and that she became the inspiration for his Kill Bill movies. Bobby was the recipient of several awards including the Gregorio Valdez Memorial Award by FAMAS, the Philippine equivalent of the ‘Oscars’ and the Ciriaco Santiago Memorial Award for introducing Filipino-produced movies into the international market.

This film is a comedy about human obsessions. Metal owns a laundry shop. His three workers, Yingzheng, Ah Guang and Kasi, respect him. His wife, Fendie, fears him. But all that changes when Pingmei, a beautiful young masseuse steps into his shop. In an attempt to win back his affection, Metal’s wife enters an arm-wrestling competition. Pingmei, a mistress to the president of the women's association, trains for the competition as a testament to the love she has for him too. Everything culminates in the finals of the competition, when Metal, who takes the place of his injured wife, meets the masseuse in a showdown of comedic proportions. Unarmed Combat is about desperation, and the extent human beings would go to in order to satisfy their obsessions and fetishes.

Born in 1975, Han Yew Kwang started his TV career at the age of 22. He has written and directed several highly popular and successful TV series including a 13-episode TV series, Folks Jumps Over The Wall for MediaCorp Studios. In the same year, his 35mm thesis film The Call Home won the Best Short Film Award at the 15th Singapore International Film Festival Silver Screen Awards. Yew Kwang made his feature directorial debut with digital feature Unarmed Combat in 2005, which garnered positive responses from both film critics and the general audience when it was released theatrically in Singapore. In 2007, Yew Kwang made his second feature 18 Grams of Love, commissioned by the Media Development Authority of Singapore. 

In this documentary, President Xanana Gusmao of East Timor leads us on a journey through the tumultuous years in Timor-Leste's history by sharing insights gained from the past 24-year struggle for independence and the young country's current fight for freedom from hatred and for a viable future as a sovereign nation. Travelling across the cloud-enshrouded mountains, emerald jungles and azure seas of Timor, Gusmao brings us to hidden villages and people with powerful stories who live therein; encounters with whom returns him repeatedly to the importance of forgiveness and reconciliation with the Indonesian militia as well as pro-integration Timorese who had tortured freedom fighters like him and his followers in the years of the struggle.

Award-winning filmmaker, television presenter and producer, Grace Phan, has anchored a wide spectrum of general news, current affairs, business and feature programmes during her eight years in television with CNBC and ABC Asia Pacific. She won the "Best News Presenter" award in the 2000 Asian Television Awards, and was nominated "Best News Anchor" in the 2002 New York Festivals. Where The Sun Rises (also known as A Hero's Journey) is Grace’s first feature documentary film. She is currently preparing to shoot her first feature film.