'Save Our Film' campaign

In celebration of the Asian Film Archive’s 5th anniversary, a group of passionate final-year students from the Wee Kim Wee School of Communication and Information, Nanyang Technological University have launched the ‘Save Our Film’ campaign. This campaign aims to raise awareness amongst youths aged 15 - 35 of Singapore's rich local film heritage and the importance of ensuring it is kept alive for our future.

Launched on 1st February, the 'Save Our Film' campaign has conducted a series of nationwide guerilla publicity efforts, beginning with the campaign Mock DVDs and Posters on display at supporting stores and cinemas. They promote five early Singapore titles with a twist -- these films have been lost and are thus unavailable. More information about them can be found on the Singapore Lost Film Wiki, along with archived images of never-before-seen scans from the film memorabilia collection of Mr Wong Han Min. The public is warmly invited to contribute and grow the wiki as well.

 

For the past 3 weekends, these students have conducted impromptu Video Projections that the following locations:

06/02/2010 @ Bugis Junction

12/02/2010 @ The Cathay

20/02/2010 @ Cathay Cineleisure Orchard

You can watch videos from each projection and the slick kinetic typography videos that were shown at the projections at their YouTube group page. They also gave away 'Singapore Shorts Vol. 2 (SSV2)' DVDs to passersby who participated in their on-site local film trivia quiz.

 

Don't miss their final campaign highlight, a Roving Showcase featuring exclusive Call for Memories recordings of members of our local film community, film memorabilia collectors, WWII survivors and others sharing their own fondest local film memory. This showcase will happen on the 6th of March, Saturday afternoon, all along Scotts and Orchard Roads.

Follow them as they trundle down Singapore's busiest shopping district with a nostalgic 11-inch television from the nineties and screen these interview clips to all and sundry! The local film trivia quiz will be happening on-site as well and I hear that they are giving away one DVD every 15 minutes!

If you are unable to make it, do log on to their website at http://asianfilmarchive.org/5th/ to find out more about the campaign and what you can do to help.

"Me and My Friend Enjoy A Movie" @ Golden Village, Great World City

In conjunction with the events organised by MARUAH (Singapore Working Committee for an ASEAN Human Rights Mechanism) for observance of the 2009 International Day of Persons with Disabilities on 3rd December, the Asian Film Archive curated a series of Southeast Asian short films for the Me And My Friend film screening at GV Grand on 14th of Dcember. The films screened were Français by Nawapol Thamrongrattanarit, Lata At Tsinelas (Can & Slippers) by Khavn de la Cruz and Peter by Singaporean filmmakers Derrick Lui and Lee Chee Tian. It is hoped that these films will help to promote an understanding of disability issues and facilitate the integration of persons with disabilities within communities.

Clara Feng, co-chair of the Me and My Friend committee gave the opening address. I then gave a brief introduction to the films. More than a hundred people attended the screening and everyone stayed behind for the post-screening discussion that was moderated by Mr. Ravi Philemon. During the engaging discussion, many felt the films had addressed the adversities people with disabilities come up against, and many also spoke strongly on the advocation for the need to improve the benefits and rights to the disabled. A number of people in the audience expressed their admiration for Peter Loh from Peter, who graced the event and spoke on how his positive outlook towards life helped him pull through.

It is very heartening to see that the film screening has served its purpose for many in the audience, and that those who brought their friends along, were able to enjoy the films together.

(Photos courtesy of Lee Sze Yong)

Assembly Talk: An Introduction to Singapore Cinema

On 8 December, Bee Thiam gave an Assembly Talk at ITE College Central (MacPherson Campus) on "An Introduction to Singapore Cinema". 

In Conversation With Filmmakers on 22 Oct 2009

 

In commemoration of the UNESCO World Day For Audiovisual Heritage, the Asian Film Archive organized an In Conversation With Filmmakers session, on the 22nd October 2009. The purpose of this event is for the Archive to give filmmakers and film producers alike an informational talk on the issues of film preservation. It was attended by more than 35 people, including filmmakers like Jason Lai, Chai Yee Wei, Sherman Ong and Michael Wang.

 

The session began with Bee Thiam presenting the 2008 annual report on the Asian Film Archive, which can be downloaded here. Karen followed by sharing on different ways that film and video mediums deteriorate over time and how they should maintain and take good care of their films. There was a lively QnA session where Karen and Bee Thiam answered questions ranging from the technicality of preservation work, acquisition guidelines, clearance of rights and plans on restoration work. They also sought feedback on how the Archive can improve our work, as well as how the Archive can better support the community.

From the feedback we received, most of the filmmakers appreciated the talk as they were not acutely aware of these preservation issues. After the talk, some of the filmmakers came up to us in appreciation of the service we've been providing and also to seek advice on how best to archive their works. We are glad filmmakers also take home the message that archiving their works should start early. We are most comforted that some filmmakers have stepped up to volunteer for the archive.

In a timely manner to raise awareness on the importance of film preservation, the Archive also launched an online campaign at the event. We presented two film clips (link) that I have prepared in conjunction with the UNESCO World Day For Audiovisual Heritage. At the event, we have distributed an updated brochure featuring Marrie Lee from They Call Her Cleopatra Wong. You can help us spread this message to other filmmakers!

 
These are some of the quotes from the attendees: 

"The detailed aspects that helped were the ones on how film preservation occurs in the Asian Film Archive and also how AFA helps to promote new works of filmmakers"
- Nicole Midori Woodford, Filmmaker

 

 

"More filmmakers should be aware of this" (On examples presented of films being lost and destroyed)
- Lim Tingli, Film Producer and Audio Engineer

 

 

[A] very informative [session on] why it is important to preserve our films"
- Ken Ochiai, Postgraduate Student in Southeast Asian Cinemas, NUS

 

 

(Photos courtesy of Looi Wan Ping)

 

This event is supported by The Arts House.

 

Assembly Talks in August

During the month of August, Bee Thiam and I went to Temasek Junior College and Tanglin Secondary School on separate occasions to conduct the assembly talks on the history of Singapore Cinema. As it was the first time that I attended this talk, it was refreshing to know that students today are able to attain such focused knowledge outside of their curriculum, which was something I lacked when I was their age.

Despite the constraints in the duration of these assemblies, the main topics were covered, from the Golden Era of the Singaporean Malay Cinema to the 1970’s Bruce-Lee inspired cult films, and to the revival of the 1990’s by the films of Eric Khoo, Jack Neo and Glen Goei. A student from TJC initially guessed “45” was the grand total number of Singaporean films ever made before Bee Thiam introduced the Cathay-Keris, Shaw, and Kong Ngee film studios that flourished in the 1950’s. The students, including the teachers seemed more interested in the contemporary Singapore Cinema that include films such as Jack Neo’s Money No Enough and Eric Khoo’s 12 Storeys which spoke a different voice and identity compared to their predecessors, and which probably managed to struck a cord in their hearts.

While the lower secondary students from Tanglin Secondary seemed a little restless throughout the session, the upper secondary students were amused by the film clips that were shown. I for one, was rather intrigued to find out more about how Jack Neo may be inspired by P.Ramlee’s Bujang Lapok series.

It is always pleasant for me to sit and listen through of how cinema transcends over time and hopefully that opening snippet from Forever Fever that featured a pre “Deal or No Deal” Adrian Pang may have enticed some of these students to seek out these local films that may have already been forgotten.

(Photos courtesy of Looi Wan Ping)

Screening of Rainbow Troops (2008) on 27 Aug 2009

 
 
 
Earlier this year, the NUS Alumni Office invited us to programme the August session of Feature Flicks, a series of free monthly movie screening, in conjunction with NUS ASEAN Day celebrations. We decided to screen Riri Riza's Rainbow Troops (Laskar Pelangi) (2008).

Based on a novel by Indonesian writer Andrea Hirata, the film tells the story of ten village children's life changing experiences after meeting two dedicated teachers, Miss Muslimah and Mr Harfan. The teachers and students faced threats of the school's closure, but persevered with their enthusiasm for education and knowledge. The heart-warming story unfolds on Belitong – what was once Indonesia's richest island – and is equal parts comedy and political critique.

After the screening, Bee Thiam conducted a dialogue session with the audience members. He started by sharing with everyone the background of Riri, the Indonesian indie film community from which Riri emerged, and the strong reception to the film amongst the film festival circuit internationally.
 
In response to a comment that some of the values taught by the teachers were sketchily explored, an Indonesdian audience member shared that the source novel is very thick, hence many anecdotes were either omitted or briefly depicted. Another audience member commented that he thinks this film deserves more acclaim than blockbusters like Slumdog Millionaire.

Despite it being the best selling film in Indonesia's box office history, it is little heard of outside the international film festival circuit. We're glad that the audience members enjoyed the film. Some of them actually came to us to thank us for selecting this film for the screening!

Bitesize: Appreciating Film 101 (06 June 2009)

On 06 June 2009, the Archive was invited by Esplanade to give a presentation as part of Bitesize, a series of monthly talks and workshops conducted by prominent names in the arts industry. Our intern Pei Yee was there with Bee Thiam and she blogged about the session:

The Archive’s talk titled “Appreciating Film 101” took place in the Bay Room and was presented by Bee Thiam to an attentive and interested audience. With a focus on the appreciation of Asian film, Bee Thiam presented an overview of various Asian cinemas, namely China, Japan and India.

Tracing the historical development of each region, he interspersed his presentation with several film clips and analyzed the way a story was told in each clip. In doing so, it was highlighted to the audience how the subject matter and film technique of the various films have changed and developed over time to reflect different social concerns and conditions. For instance, the gritty look and the camera's matter-of-fact gaze in Zhang Yimou’s Old Well (1986) and Story of Qiu Ju (1992) which have storylines that take place during the Cultural Revolution was in sharp contrast to the Asian box office hit Crazy Stone (2006) that features snappy editing and the quirks of a contemporary and globalized Chinese society.

 

Following that, the audience was given a very brief history of the Japan film industry  – one of the oldest film industries in the world – and was treated to a taste of the country’s cinema with Yasujiro Ozu’s Tokyo Story (1955). Giving a lesser known view of Indian cinema to contemporary moviegoers, Bee Thiam introduced the audience to important Indian directors which included Raj Kapoor (who often paid tribute to Charlie Chaplin in his films) and Bengali filmmaker Satyajit Ray and his award-winning debut film Pather Panchali (1955).

In all, Bitesize was a comprehensive two-hour overview of Asian cinema that gave the audience a good general understanding of the region’s culture, history as well as its film industry.

Here’s to hoping the talk sparked the beginnings of an interest in Asian films for some in the audience!

Bitesize photos courtesy of The Esplanade Co Ltd.

 



 

 

Available at HMV Singapore, Kinokuniya Bookstore (Taka), Gramophone, Sembawang Music Centre and Earshot Art House. Proceeds from the DVD sale go to raising funds to support the preservation and cultural mission of the Archive.

Asian Film Archive is non-governmental organisation founded to preserve the rich film heritage of Singapore and Asian Cinema, to encourage scholarly research on film, and to promote a wider critical appreciation of this art form. As an important nexus, it brings together the various segments of the Asian film community in order to open and enrich new intellectual, educational and creative spaces.

 

Company and Charity Reg. No.: 01910

 

International Advisory Board
Dr Kenneth Chan (Chair)

Dr Aruna Vasudev
Professor Chris Berry

Professor Chua Beng Huat

Professor Chua Tat Seng
Mr. Hou Hsiao Hsien

Professor Howard Besser
Dr Lim Song Hwee
Professor Jan Uhde

Dr Kenneth Paul Tan

Mr. Ray Edmondson
Professor Rey Chow
Professor Trinh T. Minh-ha

Professor David Bordwell

Board of Directors
Dr Kenneth Paul Tan (Chair)
Jacqueline Tan Swee Gek
Dr Kenneth Chan

Mike Wiluan
Ong Sor Fern

Susan Beard

Executive Director
Tan Bee Thiam

Address
Asian Film Archive
c/o Library Supply Centre
3 Changi South Street 2
Xilin Districentre Tower B, #02-00
Singapore 486548

 


Email
info@asianfilmarchive.org

 

Office Number

+65 6777 3243


Website
www.asianfilmarchive.org